The best idea from class this week is the use of varying
textures and consideration of light while designing. This concept first came up
in the documentary, Sketches of Frank Gehry, where we saw how the architect Frank Gehry incorporates different
textures into his work, which makes his buildings unique, beautiful, and very
postmodern. It is also obvious that Gehry puts a lot of thought into how the
light of the sun will interact with his buildings while designing them. It is Gehry’s attention to texture and light
that makes him such a great architect.
Earlier this week we discussed
how even the V-show set design was dependent on the elements of texture and
lighting. The set includes a few textures, but the one I noticed the most was
the horizontally ridged metal used in the background. This was a good texture
to use because the colored lights look very vibrant when reflect off of this
background. The creative use of lighting was able to effectively set the mood
for each act and in some cases, even create the illusion of multiple settings/places
on the stage.
I realized after our class
discussions that texture and lighting are the keys to all kinds of 3-D design,
including the functional art and furniture design that I enjoy creating. After reexamining some of my past creations, I
realized I have already started to play with different textures in my art. For example on the bookshelf that I recently refinished,
I used two different textures, paint and magazine pictures, to give each of the
six shelves a different color and theme. On a pair of jeans that I decorated a few
years ago, I combined many different textures including: paint, fabric, Sharpie
markers, patches, and embroidery.
Now that I have discovered that
the elements of texture and lighting can have such an effect on almost any
design, I can apply them while designing my works of art. I plan on doing more experimenting
with these ideas by incorporating various textures in my future creations. I
could also include lights in my designs, which I have not tried yet. I am so
glad I was exposed to these ideas, because I am now inspired to take new kinds
of artistic risks that I may not have thought of otherwise.